Early ET works: paintings, constructions
April 21, 2008 | Edward Tufte
3 Comment(s)
Here are some paintings and constructions done around 1970, except
for a slate maquette for Escaping Flatland made in the early 1990s.
These pieces are now in a private collection in Beverly Hills.
Topics: E.T.
The Look of It
Virginia James Tufte, from Pieces: Embroidered by Memory
When Edward Rolf Tufte, our son, was five or six, just after we moved into the house we
built in Phoenix, his father, Edward E. Tufte, a civil engineer, equipped the youngster with
rather fancy drawing materials and tools–T-square, geometrical templates, assorted
pencils, pens, inks, and paper. I remember ERT asked for some “grap paper.” At first he
had a very small child-size chair and a good-sized table with the legs sawed off to the
proper height. As he grew taller, he had a special junior-size drawing board with legs, and
a desk. These were next to the big green chalkboard that covered about half of one wall in
his room and provided space for drawing as well as working out long math problems or
the intricacies of English grammar, sometimes with the help of one or the other of his
parents.
One day when I was emptying the wastebaskets, I happened to notice a crumpled drawing
lying on the top of the wastebasket from his room. I smoothed it out, liked the look of it,
and laid it on my desk. My Royal portable typewriter was sitting on the desk, in its carrying
case with the lid open, and later that day I picked up the drawing and tucked it behind a
bracket inside the lid. It stayed there unnoticed for I don’t know how many years, perhaps
twenty or thirty. I probably came upon it when I was about to get rid of the manual
typewriter a few years after I had bought a Smith-Corona electric portable. By the time I
mailed the drawing to ERT, as I recall, he was teaching at either Princeton or Yale. Some
years later I saw the drawing, beautifully framed, in his living room, and he told me that
his wife (graphic design Professor Inge Druckrey) had liked the look of it and taken it to a
framer.
As to how old he was when he made the drawing–and threw it away–I would guess six
but I don’t know exactly. I still like the look of it, no matter what the age of the artist.
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ET:
Reminds me of an illustration from one of those wonderful Soviet Constructivist children’s books of the 1920’s.
The familiar Constructivist children’s story:
The Three-Circle Red Family Encounters the
Reactionary Black Obtuse and Acute Angles.